After a very interesting and varied 2015/16 opera season I hoped in a change of course, in an innovative and original new season. In a newly renovated opera house. Instead, the renovations, which were supposed to be finished by the end of the current season, will protract until the second title of the new season. But from December, the direction hopes, the opera house will be reopened. The program on the other hand is not new, not original, not imaginative, it’s a déjà vu, deja entendu, dozens of times. I am not pretending Portogallo, Graun, van Maldere or other forgetten (though still very valid and worthwile) composers, I am not even pretending more familiar names such as Boildieau, Haydn, Adam, Glinka, Vivaldi. But what is wrong with an Esclarmonde, a Siége de Corinthe, a Roberto Devereux, a Robert le Diable. But a Wagner, a Verdi, a Puccini and a Strauss… (and not the most original ones either): Do they still have something to say? Macbeth was even given only recently at the Munt. Matsukaze as well.
The more interesting operas in Brussels are the Golden Cockerel, Lucio Silla, Pénélope (Faure) and Il ritorno di Ulisse. Half of these are given in concert version!! And again, of the 11 productions, more than half are compostions of the 20th century. And AGAIN, no classical dance is offered!! Thank God there is Ghent (where we can hear Rossini, Halevy, Mussorgski, Tchaikovsky) Liège (which dares to give Auber, lesser known Rossini, Wolf-Ferrari, Ponchielli…), Lille (a staged Vivaldi, this year) which are not very far and which offer quite varied seasons… Well, usually… In the next season we are flooded with Verdi and Puccini there as well: 3 Verdi and 2 Puccini, as if nothing would draw people to the opear. Otello and Don Giovanni are planned for Liege, were given in Gent and Brussels this year and last year, respectively. Die Zauberflöte next year in Gent, was given this year in Liege. And so on…Disappointed is only one of the words that suggests itself.
Oh, by the way. What happened to La muette de Portici? Co-produced with the Opéra Comique in 2011, it was supposed to be staged also in Brussels. Only… ‘It isn’t the right time,’ said Peter De Caluwe, ‘because it would raise the question of whether or not we need Belgium’. I think this is utter nonsense. The creation of Belgium following its staging in 1830 is a lovely story to tell your grandchildren but an opera was never and will never be able to split or unify a country. So: when are we gonna hear it?