Extremely enjoyable this Zauberflöte by Barrie Kosky, a direction that toured quite some cities in the last few years and marked the 100th performance and the 4th anniversary in Berlin that very day of 25th November. This magic flute is special in that the recitativi are shortened to just a few scenes where subtitles are projected on the screen as if people would utter them. A bit silent movie-like. The singers appear and disappear from revolving doors and the whole story is cartooned around them with synchronised accuracy. The advantage is an extremely lively and flowing plot which has no downside except for the odd displeasure given by computer generation. The disadvantage is that singers and orchestra have only little liberty, musically speaking, to freely move in this pre-built and inflexible matrix. I am not sure whether the almost absence of rubati was due to the conductor or the concept of direction. But all in all an original direction that offered an enjoyable evening with overall good singing.
25/11/2016, Komische Oper, Berlin, Musikalische Leitung-Christian Kluxen, Inszenierung-Suzanne Andrade, Barrie Kosky, Animationen-Paul Barritt, Bühnenbild, Kostüme-Esther Bialas, Dramaturgie-Ulrich Lenz, Licht-Diego Leetz, Pamina-Maureen McKay, Tamino-Adrian Strooper, Königin der Nacht-Nora Friedrichs, Sarastro / Sprecher-Andreas Bauer, Papageno-Tom Erik Lie, Papagena-Julia Giebel, Monostatos-Peter Renz, Erste Dame-Nina Bernsteiner, Zweite Dame-Karolina Gumos, Dritte Dame-Caren van Oijen, Erster geharnischter Mann-Christoph Späth, Zweiter geharnischter Mann-Daniil Chesnokov, Drei Knaben-Solisten des Tölzer Knabenchores