An pleasing enough Norma was given at Liege this week. I did not like everything of Davide Garattini-Raimondi’s direction. It had the merit of being on 3 levels which allowed to play with movements of the single versus the masses, but I found the paper mache-looking setting a bit unrefined, although I guess deliberate. Personally I did not see the necessity of the overly made-up faces and neither of the dancers who hopped also in the most inappropriate scenes. To me it looked a bit silly.
It was clear even before hearing her, that Patrizia Ciofi would be too light for Norma, “In mia mano alfin tu sei” for eg and all the lower passages was musically not very pleasing and at the end of the several evenings the voice sounded very tired. Having said that I found much dedication to the role, wonderfully floating acuti and a profound rendering. With her on stage was José Marina Lo Monaco who sang a beautiful and compassionate Adalgisa, and the two voices merged wonderfully in the duet of Act II. As Pollione we had Gregory Kunde who the role seemed to fit like a glove and the notes came out in apparent effortlessness from the lowest to highest, always a pleasure to hear. Andrea Concetti was a noble Oroveso, his second aria convinced more than the first. All were accompanied by the very capable hands of Massimo Zanetti; He kept the music going swiftly although the orchestra’s playing was not always neat and clean.
Conductor-Massimo Zanetti, Director-Davide Garattini Raimondi, Choreography & Director’s Assistant -Barbara Palumbo, Set And Lighting Design-Paolo Vitale, Costume Design-Giada Masi, Choirmaster-Pierre Iodice, Norma-Patrizia Ciofi, Pollione-Gregory Kunde, Adalgisa-Josè Maria Lo Monaco, Oroveso-Andrea Concetti *, Flavio-Zeno Popescu, Clotilde-Réjane Soldano, 25/10/17, Fotos: http://www.operaliege.be