A wonderful little rarity by Ferdinando Paer was staged by the Teatro Regio in Torino; Paer is one of many transition composers between Mozart and Rossini, who wrote excellent music, today unfortunately rarely performed. His Agnese was first performed in 1809 and then all over Italy and Europe until the 1820’s. The plot revolves around Agnese who elopes with Ernesto, fact which drives her father into madness believing her dead. Hen Ernesto leaves Agnese she goes back to her father to ask for forgiveness (with her little daughter whom she gave birth to in the meantime). The plot has a happy ending with the father regaining his mind and Ernesto asking for forgiveness. Diego Fasolis kept the music exciting and crisp with an orchestra of the Regio at its best and beautifully played solos.
The director’s setting are huge old-style tin boxes which open and reveal the different interiours: the mental institute where Agnese’s father is treated, the forest, Pasquale’s cabinet etc. Muscato’s direction is wonderful. The opera is semi serious and Muscato reflects it in the characters. Agnese and her father are heartbreaking, Ernesto with his over-dramatic movements hilarious. The doctor, Vespina the maid and Pasquale are well characterised and the chorus moves extremely well on stage.
The most impressive singers where Markus Werba as the father Uberto and Edgardo Rocha as Edgardo the repentant lover. Both brought a beautiful palette of colours to their interpretations. Markus Werba was incredibly touching as the father, elegant, never over the top, beautiful phrasing. Edgardo Rocha displayed a refined belcanto technique and on stage the over-the-top acting was irresistible. All other singers contributed also greatly to the success of this rarely staged opera. The musical direction, together with the heartwarming staging and the enthusiastic singers made this a rare and lovely opera experiences.
Another rarity was presented in Brussels, albeit in concert version, Robert le diable by Meyerbeer. I was very excited when I read about it as I think Meyerbeer composed wonderful music, melodic, dramatic, romantic. Less excited when I heard the names. Korchak (is he really up for the role?) Pidó (eye rolling) Auyanot (pouting with scepticism), Courjal (who?) Dral (who??). And who was the soprano again? But I must admit the performance was one of the best I’ve ever heard. Pidó conducted with incredible energy an orchestra that was in top shape, he also accompanied the singers very well. Korchak surprised me with a resounding voice, an admirable stamina, flexibility and extension he kept from beginning to the end. It was the first time I heard Courjal but I find his warm voice very pleasant. He certainly is very good in the part of Bertram, though maybe not very diabolic. Another very good singer I really admired was Julien Dran in the role of Raimbaut. His voice light and flexible, he sang an impressive top note in his duet with Raimbaut. Yolanda Auyanet was very dramatic and well suited to the role of Alice. The soprano was of course Lisette Oropesa, who i remember well from her adina in Pesaro and even better from her Marguerite in Paris’ Les Huguenot. I thought she was stunning. Simply stunning. The timbre might not be as warm, but all notes, from the low to the high and top ones, all are there. The coloratura comes with apparent easy, the character of Isabelle well interpreted with beautiful colours and musicality. A very moving interpretation. A shame it did not come in a scenic version.
Direttore d’orchestra-Diego Fasolis, Regia-Leo Muscato, Scene-Federica Parolini, Costumi-Silvia Aymonino, Luci-Alessandro Verazzi, Agnese-María Rey-Joly, Uberto-Markus Werba, Ernesto-Edgardo Rocha, Don Pasquale-Filippo Morace, Don Girolamo-Andrea Giovannini, Carlotta-Lucia Cirillo, Vespina-Giulia Della Peruta, Il custode dei pazzi-Federico Benetti, 17/03/19, photos from Edoardo Piva@Teatro Regio
Conductor-Evelino Pidó, Chorus master-Martino Faggiani, Robert-Dmitry Korchak, Bertram-Nicolas Courjal, Raimbaut-Julien Dran, Alberti/Prêtre-Patrick Bolleire, Isabelle-Lisette Oropesa, Alice-Yolanda Auyanet, Héraut/Maître de cérémonie-Pierre Derhet, picture from Lisette Oropesa facebook page. 2/4/19