I don’t feel this Idomeneo had any particular faults so maybe I just was in a particularly scrupulous mood. I found Roberto Saccà throaty, Renata Pokupic gasping for air every couple of seconds with not even a hint of a legato, Serena Farmocchia missing the vocal gravity for Elettra, and the direction at times a bit silly. Furthermore the opera had quite lengthy recitatives and I couldn’t understand almost anything. Singers without a proper pronunciation are, in my eyes, not complete, even the phrasing comes across a very approximate when words are not taken care of. On the other hand I appreciated the direction’s narrative clarity, the diction of Roberto Saccà (the only one), Ana Quintans sweet timbre and beautiful singing. I also enjoyed the swift and crisp sound of the orchestra, prepared by Paul McCreesh and on this evening directed by Benjamin Bayl. Everything considered a good performance though not fully convincing.
Muzikale leiding-Benjamin Bayl, Regie-David Bösch, Decors-Patrick Banneart, Falko Herold, Kostuums-Falko Herold, Belichting-Michael Bauer, Idomeneo-Roberto Saccá, Idamante-Renata Pokupic, Ilia-Ana Quintans, Elettra-Serena Farnocchia, Arbace-Anton Rositskiy, Gran sacerdote-Adam Smith, La voce di nettuno-Leonard Bernard